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1952
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"They took what they wanted ... and they wanted the world!"
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"Swashbuckling Sons of Satan!" "The thunder of their plundering shook the earth, the seas, the sky!"
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Plot ~ Images ~ Trivia ~ Credits
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"During the 17th Century the Spanish Main was overrun with pirates, foremost of whom was Edward Teach, the evil and immortal 'Blackbeard.' Sir Henry Morgan, who was then in the service of the king, had been sent to clear the seas of the very pirates he once had led," reads the introductory narrational text. A voiceover continues: "One night when Morgan was at sea, the ship of the pirate Charles Bellamy came creeping into the harbor and passed unharmed under the guns of the fort. I, Edward Maynard, disguised as a down-at-the-heels surgeon, had been haunting the Port Royal waterfront, waiting for something like this to happen. For the governor of Jamaica believed that Morgan was a pirate still and had a quick fortune ready for the man who could prove it. I wanted that quick fortune." Seeking evidence that Morgan (Torin Thatcher) is secretly in league with pirates, Maynard (Keith Andes) finagles his way aboard Bellamy's ship, along with the beautiful Edwina Mansfield (Linda Darnell)Bellamy's financée and daughter of Morgan's late associate, Captain Edward Mansfieldand her "lady in waiting," Alvina (Irene Ryan), only to discover that the dreaded Blackbeard (Robert Newton) has taken over the ship in this muddled and historically impossible tale of adventure, romance, and piratical double-crossing on the high seas. The first half is fraught with lame attempts at humor perpetrated primarily by the utterly miscast William Bendix in the role of Blackbeard's buffoonish mate/boatswain/gunner/etc., Worley, who seems to have been shanghaied off the set of a gangster movie and given his lines by cue card. However, in rare moments when acting aloneas when he petulantly whines for the doctor, bellowing, "Maynyard! I got a pain in my innards!" whilst continuing to devour the offending meal or when playing off another character actor equal to the task, Robert Newton displays his fine comedic talent and elicits some good chuckles. Irene Ryan's jittery performance as Blackbeard's "little chicken" really is a "cackle," while Newton's brief scene with Alan Mowbray, in which he prepares Blackbeard's loony lookalike to battle Morgan in his stead, is, thanks to the performances, one of the most memorably comical in the film. But Blackbeard the Pirate was not intended as a comedy, as evidenced not only by the taglines above, but by the relentless sentimental soundtrack to the overwrought love story that competes with Blackbeard for the focus of attention, and the film abruptly takes on a more serious tone when the pirates finally encounter Morgan and the nefarious title character demonstrates why his own crew secretly want him dead. In this film, Blackbeard's well-documented true story has been almost completely ignored, and instead he is inexplicably transported back in time at least thirty years to be pitted against Sir Henry Morgan, about whom the writers seem to have done considerably more research. (Although the fictionalized "Blackbeard" is undoubtedly the star of the show, the German translation of the title is far more descriptive of the plot: Kampf um den Piratenschatz, or "Battle for the Pirate Treasure.") It is primarily Robert Newton's wildly over-the-top yet always-entertaining hamming that has endeared this film to audiences. Though his performance is basically a less inhibited reprise of his innovative approach to the role of Long John Silver just two years before in Disney's Treasure Island, Blackbeard the Pirate is a story for grown-ups, with suggestive humor, adult situations, and grisly violence. Perhaps in a misguided attempt to make it appropriate for younger audiences, an edited 85-minute version has been released on video as a Hollywood Classics "collector's edition" by Modecy Entertainment (whose misleading packaging neglects to mention this censorship). Instead the effect of the missing scenes (which include Irene Ryan's funniest moment) is to muddle the story even further for disappointed adults expecting to see the true story and accepted legends of the most notorious, fearsome, and colorful pirate in history brought to towering life by the one actor who seemed born for the role. (The complete film runs an hour and 40 minutes.)
copyright © 2006 by Susan Dauenhauer
Ciriello |
Plot ~ Images ~ Trivia ~ Credits
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"Four feet o' water in the 'old an' still risin'! Ar. She sails like a brick smoke'ouse right now. You'll pay for this with your lives if Morgan comes! ... Aye, here be your scuttler without a doubt! ..." "Get the rope!" "No. Ha-harr. Truss 'im up for the cat first. Ar, then stripe 'im till 'e falls, an' dowse 'im with salt. Arrr, an' when 'e comes to, let 'im have it again." |
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"Here, where're you goin'?" "He's run through the gizzard. He doesn't know anything." "Well, drop him an' get back t' yer guns!" |
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Plot ~ Images ~ Trivia ~ Credits
Click here for a partial listing of historical errors (and semi-accuracies) in the film. copyright © 2006 by Susan Dauenhauer
Ciriello |
Plot ~ Images ~ Trivia ~ Credits
Blackbeard the Pirate copyright 1952, RKO Radio Pictures, Inc.
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Plot ~ Images ~ Trivia ~ Credits
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